Tim Bruckner’s New Piece “Imagine”
October 21, 2014

My old friend Tim Bruckner never ceases to amaze me with the innovation that he continues to explore in sculpture, whether for a commissioned piece or a personal, exploration piece.   He seems to thrive on creating problems for himself and then solving them.   Recently he found himself in that situation as he collaborated with John Lennon’s former girlfriend May Pang to create a bust based on John Lennon, who Tim actually knew.     Tim was not content to pick an era and just sculpt a bust in John’s likeness, he wanted to create a piece that spoke to John’s artistry and legacy and what Tim developed is like nothing I have ever seen before.

Not only did he create his own bust for the show, but he rounded up some of his other sculptor pals to create a set of busts that are equally as stunning!

He chronicles the entire process over on the “Muddy Colors” blog.

These busts will be on display this weekend in N.J. at the Chiller Theater toy, model and film expo.

Reprinted with Tim’s permission:

 

Imagine

-By Tim Bruckner

I first met May Pang in 1974. I had just finished the cover art for the Ringo album and was working on a live action/animated pilot film for Ringo Starr and Harry Nilsson called, Harry and Ringo’s Night Out. May was John Lennon’s girlfriend during his eighteen month “Lost Weekend” as well as production coordinator for the Pussycats album John was producing for Harry. May is one of the sweetest, kindest and most compassionate people I’ve ever met. We’ve kept in touch over the years. Talking with her recently I learned she was having several upcoming exhibitions of her photography in Germany. And I said to her, what I say to virtually anyone I meet.

“You know what you need? You need some sculpture,” I said.

“Yes. I think that’s a good idea,” she said.

After the shock wore off, the wheels started turning. I contacted James Shoop, Tony Cipriano, Michael Defoe and Alfred Paredes to see if they’d be interested in joining me in creating half life size portraits of John Lennon. They all said yes. The only restriction was size in an effort to keep them all within range of each other. The results are amazing! The pieces will be seen publicly for the first time at the Chiller show in October and at the Krab Jab Gallery in Seattle, Washington next Spring , with the addition of five new sculptures and several pieces of 2D art, all Lennon themed. 

This is an account of how my piece, IMAGINE, came together. I came of age in the sixties and the whole psychedelic experience really shaped the way I saw the world and my place in pop culture. So, I knew I wanted to do something that reflected that sensibility. And I wanted the piece to do something. The design bounced around for a few days until it stuck. It wasn’t until I got about half way through, that I realized I might have bitten off more than I could chew. I started with a clay rough. Chavant NSP medium.

The plan for my piece was to have Lennon song titles floating in his head. You’d look in through the lenses of his glasses and see a collection of his songs and just reading them would conjure up melody and the piece would become more personal because of it. 

The original plan was to have a kind of skylight in the top of his head to bring light into the piece. The more I played with that idea the more I realized it wasn’t going to work. I’d have to light it up from the inside and because the full interior space would be used for song titles, I’d have to light the piece up with an LED in the base. 

With the piece done, I gave it several coats of primer to check unity and then a few coats of mold release to prevent the primer from sticking to the mold. The design on the base was inspired by the cloud art on the Magical Mystery Tour album. 

I miscalculated the molding. Initially I thought I’d shim the piece into two sections and mold each section separately but with the base constructed of PVC pipe, I didn’t think it would work. So, I marked the piece for cut lines and halved in that way. Not the best of choices. 

Casting the piece presented the biggest problem. I’d thought about slush casting but I needed a fairly consistent wall thickness so that was out. I used three different resin combinations, two of which worked. Kind of. Using urethane 80331, I brushed on several skin coats to give me a consistent surface. Xtendospheres are micro beads used to thicken casting resin. You can adjust the density by the ratio of beads to resin. When I got a mixture thick enough to brush on, I laid it up and then added a smoothing brush-down coat of acetone. 

The first lighting test worked okay using the mock up of my original song-title concept.

Getting the LED’s at the right height was a little tricky.

The more I thought about the song title art the more it seemed wanting. A bunch of mini print-outs with song titles didn’t seem to warrant the effort, so I decided to design logos for the songs I selected and mount then on a master, cutting out a few and mounting them on spacers to add a sense of depth. 

The second lighting test turned out to be a bust. With the interior of the piece painted black, the reflected light I had counted on from the first test, with the white resin interior, disappeared. I tried small sections of chrome surfaced mylar, squares of aluminum foil and a polished metal plate. Nothing worked as well as a reflective card or Krome Kote spray mounted onto a piece of foam core. Light came up from the bottom of the base, bounced off the card and lit up the top most section of the art.

With the piece assembled and primed, it was time to consider the paint scheme. The base paint application would be based on the art from the Magical Mystery Tour cover. He was so stylized, a more natural color pallet seemed wrong. I can’t tell you how I came up with the pallet I used other than pure dumb luck and maybe a little ethereal guidance from Dr. Winston O’Boogie himself. 

I was absolutely gobsmacked by the work the other artists produced. It is an honor to be part of this amazing group, all of whom were generous, gracious and supportive. I’m proud to introduce their pieces to you. If you’ll be attending the Chiller show, stop by and say hi to May. She’s a great dame, and I mean that with much love and admiration.

Daniel Pickett
Daniel “Julius Marx” Pickett has been around toys his whole life. The first line he ever collected was Mego’s World’s Greatest Super Heroes line back in the 70s. He has been surrounded by collectables ever since. In 1999 he was confounded by a lack of information and news about some of his favorite toy lines he was collecting. Since he couldn’t find the information he decided to pursue it himself thinking other people might also be interested in the same news. He started writing a weekly column on the toy industry and action figure for a toy news site and in a years time he tripled the sites daily traffic with his updates, reviews and product features. He built relationships with every major toy manufacturer and many sculptors, painters and mold makers. He grew his hobby into a world wide expertise that the industry has embraced. In 2004 he teamed up with his toy buddy Jason “ToyOtter” Geyer and they created their own website www.ActionFigureInsider.com. Daniel has been quoted in both industry and mass media press outlets. Over the years Daniel and AFi have been sought out as experts in the field. Daniel was regularly featured on “Attack of the Show” on the G4 network as the primary contributor to their “Mint On Card” segment, and our front page has been linked to from USA Today’s “Pop Candy” Blog twice. Daniel’s content has also been featured on MSNBC.com, Time.com, The Wall Street Journal, The Saturday Evening Post, CNN.com, AssociatedPress.com Wired.com, Fark.com, Boing-Boing, Gizmodo.com, Ain’t It Cool News, the Official Star Wars blog, Geekologie, G4, CNet and Toy Fare magazine, among many others. He has consulted on toy lines, books, documentaries and TV shows. But all of that really just sounds snooty and “tootin’ his own horn” – the long and short of it is that Daniel loves toys and he LOVES talking about them.
Read other articles by Daniel Pickett.

 

 

 

1 Comment »

  • bnjmnrlyr says:

    There is some absolutely beautiful work there. Each is unique in its own way and still perfectly captures the impact that John Lennon had on so very many lives.

    Thanks for sharing.

    … and Tim, man you are truly a master.

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